About Us |
|
Ancient Artways Studio was founded
in 1995 in Wilsall, Montana. It was originally intended
primarily as an art studio featuring the Native American
traditional arts. As the years went by the Studio’s work
shifted more and more to the restoration and
conservation of antique American Indian art. It now
concentrates almost exclusively on providing the highest
quality of conservation services for Indian art in both
public and private holdings, including preservation and
restoration treatments, consulting, collections care,
and offering analytical services such as the testing for
harmful pesticides in collections. |

A pair of early style moccasins
decorated with porcupine quill wrapped horse hair and
glass beads. Made by Nancy
Fonicello. |
| Nancy Fonicello, studio
owner, is uniquely qualified in the conservation of
American Indian art, with a solid background in the
sciences as well as an extensive knowledge of American
Indian art and ethnography. Nancy holds a Bachelor of
Science degree in Environmental Chemistry, Summa Cum
Laude, from the State University of New York,
College of Environmental Science and Forestry. She has
studied Native American art for over 30 years, first as
a student, then as a professional artist, finally as a
teacher of native traditional arts. She is widely known
for her expertise in the traditional techniques of
porcupine quillwork, beadwork, and hide
tanning. |
|

Example
of loom quillwork from a Metis style horse
headstall |
In
2001, Nancy worked in the Conservation Lab at the
Smithsonian's National Museum of the American Indian,
under a grant from the Andrew W. Mellon foundation,
conserving and preparing objects slated for display in
the Museum's new facility on the Mall in Washington,
D.C.
Commissioned by the Utah Museum of Natural
History in 1999, Nancy interpreted the unique
construction techniques and materials used in a ~1000
year old quilled moccasin in their collection and
created documentary copies for public display and
academic study.
Nancy has taught traditional
quillwork to Native American tribal students under
grants from the Montana Arts Council, and has conducted
numerous workshops around the United States. Her
teaching curriculum is used by Aurora College in Inuvik,
Northwest Territories, Canada, for their Traditional
Arts Certification program.
Nancy
is a founding advisor for the Material Culture of
the Prairie, Plains, and Plateau annual conference
series, and served as the conference chair in 2004 and
2005. She currently moderates a very active ethnographic
discussion group on the internet, whose membership
includes over 500 scholars, artists, curators,
conservators, and ethnographers.
Nancy
is a member of the American Institute for the
Conservation of Historic and Artistic Works (AIC).
Her clients have included the Charles M. Russell Museum
of Great Falls, Montana, the Utah Museum of Natural
History, the Smithsonian NMAI, and numerous private
collectors from around the
world. |
| |
|
All images and content Copyright 2008
by Nancy Fonicello No images or content may be used or copied
without
permission. |